ARE THEY DEAD YET or is there...

Last night--- though it could be any night--- I had my second taste of the posthumous at St Marks Bookstore when I looked into Dalkey Archive’s publication of Charles Newman’s last novel, IN PARTIAL DISGRACE.  At the back of every Dalkey Archive book is a listing of their books in print and my name and GOING TO PATCHOGUE had disappeared.  The night before I had also been in the bookstore and looked into Peter Dimock’s new novel GEORGE ANDERSON as I had only read the advance bound galleys and there I had my first taste of the posthumous as my name and GOING TO PATCHOGUE had not been listed in the back of the book.  In the most recent Dalkey Archive book that I received from them, MODERN AND CONTEMPORARY SWISS POETRY, my name and GOING TO PATCHOGUE had been listed.

Something happened.

The first paragraph is of course mired in vanity, but I hope it is not personal vanity as I well know that there are fewer years in front of me than behind.  It is from a concern for GOING TO PATCHOGUE which had originally been published in hardcover in 1992.  To the publisher’s chagrin (a nice old word) he had to reprint the book as it received very good reviews and unexpected attention.  A full page in the Chicago Tribune and in The Village Voice, good reviews in  The New York Times, Newsday and in the Los Angeles Times.  Both Newsday and The New York Times ran articles about the book and the Newsday profile went on from the cover to two full pages with very flattering photographs of my younger self.

There were discussions of the book is several academic books and then and then… I awaited a paperback version which finally appeared in 2010 from Dalkey Archive.   18 years before and earlier Dalkey usually published their books in hardcover as that was the fashion and expected. 

So GOING TO PATCHOGUE exists and this time there were oonly reviews in the local newspapers on Long Island and follow up on the websites of the papers.  The major newspapers no longer think it newsworthy when a book appears in paperback reprint and even the Los Angeles Times for whom I have written a great deal did not find space on their blog Jacket Copy for a paragraph of mention.

My concern is not for myself but for the sake of GOING TO PATCHOGUE and for my other books.  In 1987, Dalkey Archive published THE CORPSE DREAM OF N. PETKOV which received a startlingly good review from Andre Codrescu in The New York Times.  After the fall of the communism in Bulgaria the book appeared in translation in the best “thick” journal in Bulgaria, Svremenik and in 2000 Northwestern University Press did a paperback version of the book.  Both the paperback and hardcover editions remain in print.

You will notice that I do not write about the content of these books or what I make of them.  That is not my concern as I know I have not read these books before and I have not read them since…  for my purpose was not t write a book that had been or would have already been read many more times since most of the vast number of books in the world are imitations, echoes, fakes of…

AND I know that next year Dalkey Archive is supposed to be contractually publishing ST. PATRICK‘S DAY Dublin 1974 and my dread, the foreboding as its success might allow for more books to appear--- the one thing every publisher fears…more books from…  but JUST LIKE THAT, NOTHING DOING, EMPTY AMERICAN LETTERS, FORGET THE FUTURE…

HOWEVER.

HOWEVER, the word posthumous arrived via hearing it from Edward Dahlberg in 1970 when he was able to say he had been living posthumously for generation. 

While known in Dublin and to a very few discerning…  Dahlberg’s fate always weighs upon me. 

I open his THE CONFESSIONS OF EDWARD DAHLBERG and read the inscription, FOR THOMAS, WHOM I LIKE VERY MUCH AND WHO, I HOPE, WILL BE MY FRIEND.  EDWARD DAHLBERG DEC., 21. ’70 N.Y.C.  The book will be reviewed on the front page of The New York Times by Anthony Burgess and in 1972 Dutton will publish Dahlberg’s anthology of travels, myths and legends of the New World, THE GOLD OF OPHIR.  A few books will appear from some small presses and in 1976 Thomas Crowell (Established 1834) will publish two books THE OLIVE OF MINERVA OR THE COMEDY OF A CUCKOLD and BOTTOM DOGS, FROM FLUSHUBG TO CALVARY, THOSE WHO PERISH AND HITHERTO UNPUBLISHED AND UNCOLLECTED WORKS. 

Both books will be buried, dumped into the grave with hardly any public mention.  Edward himself will soon join those books in the earth.

TED Klein told me of hearing from Leslie Gardiner--- who has gone on to be a powerful agent in London--- of her having seen a memo from within Crowell that nothing was to be done with these books.  They had to be printed and that was it. Dahlberg had been a difficult writer and…

Something had happened.

And most people would find it unbelievable that a publisher would pay for and actually print two books and then as they say, do nothing. 

I too would have joined in that idea except I had known of the case of Michael Breslow who had published with Viking in 1978 a novel LIFE LINE which had wonderful blurbs from both Hannah Green and Anthony Burgess.  Burgess went on to pay a sort of homage to Breslow by naming a character after Michael in the novel EARTHLY POWERS…

Paperback rights had been sold to Bantam and Michael rejected a garish dumb cover and he was told we are going to doom—that is the word they used doom--- your book with a tasteful cover which will only have typeface and no illustration.  Good luck…

So while the posthumous always awaits us, we cling to the dumb hope the books will outlast… though  Lawrence Durrell told me in New York in the spring of 1970 when I asked him if  he ever thought of the future of his books, No, what has posterity done for me?...

When was the last time you read in Durrell’s Alexandrian Quartet or that great monument THE AVIGNON QUINTET?

   
Everyday my eye passes from The AVIGNON QUINTET, to THE DEATH OF VERGIL to ULYSSES to ON THE ROAD… and so from Broch inside Vergil:  “He had become a rover, fleeing death, seeking death, seeking work, fleeing work, a lover and yet at the same time an harassed one, an errant through the passions of the inner life and the passions of the world a lodger in his own life…

AFTER:  my first thought  for  the title of this post: AM I DEAD YET...

SOON ENOUGH: WILL SCHUTT and GREGORY ORR

I have been thinking of the dead writers I have known… but where to begin and how to define “know”… 

I should say these are men and women I had actual contact with… in which they stood before me or sat with me… but to begin in no order, as if I lost the address book and who needs an address anymore when it comes to the dead:  Hannah Green, George Garrett, Chad Walsh, Julian Green, Francis Stuart, Bink Noll, James Liddy, Jakov Lind, W.H. Auden, Patrick Kavanagh, John Jordan, Stephen Spender, Ralph Ellison, John Currier, Malcolm Cowley, Samuel Beckett,  Richard Riordan (the Doctor to the Poets), Carlos Fuentes, Harold Brodkey, Glenway Wescott, Johnny Greene…

And the cemetery keeps growing: Richard M. Elman, Kenneth Burke, Pearse Hutchinson, Robert Pinget, Barbara Wright, Jorge Luis Borges, Frank McShane, Eugenio Montale, Samuel Menashe, David Markson, Uwe Johnson, Mei Savage Brady…

But of course does it matter.  The dead bury the dead.  Maybe it should be the dying bury the dead or cling to the recent dead in some hope that…

                FIVE

But contrary to what experience has taught I even read new books of poetry and find myself taken by WESTERLY by Will Schutt who it turns out is the son of Christine Schutt, but it was the title poem that really caught my reading:  that town in Rhode Island just over from Stonington, just in the name suggestive and concluding lines: off to Westerly,/ Rhode Island, where nirvana is a long time/coming, or untidy, unresolved, the way stupid hope won't shut up.

  

And I read Schutt's Italian translations and the using Leopardi and the biographical fact of a fellowship from the James Merrill House, where I would never be allowed...there in Stonington, as I am not so well connected, though I have stayed in Stonington with Pati Hill and talked with the Jones sisters--- a Fourth of July weekend--- who were reminded hearing my name of how the Irish servants shook out the sheets to welcome Armistice Day in 1918 and Bettina Bergery-- that Bettiina talked of travelling with Gaston (the guy who invented the Popular Front) who was the Vichy ambassador to Moscow, traveling with her pet monkey who...( I am not going to tell you everything in one blog post)  and the Jones sisters talked about "Jimmy" who I knew could not talk to me because I was Catholic and abjured table shaking apparitions though the publisher of my books would publish Merrill's one good novel.  

In Stonington the Irish were always cleaning the rooms, forever having a way with the language and of course the word hope is ever to be associated with Nadeshda Mandelstam  in her first name and in Hope Against Hope and Hope Abandoned and my first residence was in Nadeshda in Sofia on  Ul. Yordan Lutibrodski...

but Will Schutt has the last words: the first two libes of Fragment from a Coptic Tunic:   They draped it over the dead./That's how it survived...

And a final wish:  one hopes that Will Schutt will find honest employment if he needs to do so, and never falls into becoming a professor of Creative Writing for one only has to witness the decay so evident in people like Philip Levine or Galway Kinnell, dead now for so many years though nominally still midst the living, at least according to the census-takers.  To be an honest truck driver! one a gift of self-respect to one's self and talent.

OR

I did look at the latest from Gregory Orr, a professor at the University of Virginia... he is the epitome of everything that is rotten about poetry mostly in the US.. for as long as I have known him, as far back as Columbia Universoty in 1970-1-2 Orr knew how to suck up to and imitate those who themselves had matstered the art of such and in his case  the master himself Mark Strand, both of them oozing opportunistic sensitivity, as Orr had the blessing of the brother killed by accident, which is always a good start and skinny little poems that could mean anything and usually nothing:::::::::: they could be or not be and he kept on and on so that he is now in RIVER INSIDE THE RIVER, that's the fakery in four words or further:  It hadn't occurred/To God/To use words.

Or  here is what is produced by  a six figure salary from the taxpayers of the state of Virginia and the leisure that a tenured professor enjoys:  To Say.  Saying itself was a kind/Of seizing with love./ Eve taught him that---/She for whom prayer/Was praising/What was there---/ The world/Spread out before her/What else should she adore?

OR

All sour sour sour grapes, a pissing on parades for what else to do with the passing parade though from a great height as Celine suggests, always from a great height